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TIME BUBBLE: BJØRN SVIN / JOHANNA SULKUNEN / TAPANI TOIVANEN

  • turkis 15 Vester Allé Aarhus, 8000 Denmark (kort)
 

TIME BUBBLE: BJØRN SVIN / JOHANNA SULKUNEN / TAPANI TOIVANEN

28/3/2025

Doors: 19:00 // Admission: 100 DKK

Vocal artist and composer Johanna Sulkunen and electronic music artist Bjørn Svin present a journey between the organic elements of the voice and machines as raw material.

The interplay between the "body instrument"—the organic human voice—and contemporary technology forms a meeting point that transcends genre limitations, allowing for new expressions and the emergence of fresh auditory and emotional connotations.

Visual artist Tapani Toivanen will complement the sound with a generative, interactive live visualization system, entirely handcrafted from scratch and integrated with the music, creating complex, organic, and ever-evolving patterns.

PROGRAM

➤ Doors open: 19:00
➤ Concert: 20:00

BJØRN SVIN

Bjørn Svin is a lifelong sonic creator, sound designer, composer, and performer of rhythmic electronic music. For nearly three decades, he has released experimental and innovative music on various labels in Denmark, England, and Germany. While rooted in club culture, Bjørn often moves beyond the conventions of the dance floor to create a liberated yet distinctly rhythmic expression. He combines electronic music production, sound design, and live performance. In this project, Bjørn will perform with electronic rhythms, sound, and compositional frameworks while processing Johanna’s vocal sounds, creating a unique setting where the overall "sound" emerges as a sensitive and improvisational interplay.

JOHANNA SULKUNEN

Johanna Sulkunen is a Finnish experimental jazz vocalist, composer, and improviser based in Copenhagen. Initially recognized as an exciting voice in the alternative jazz scene, her work now spans genres such as jazz, free improvisation, electronic music, and avant-garde. Her extensive portfolio includes multiple DMA nominations, grants, commissioned works, and numerous cross-disciplinary collaborations. In her compositions, the voice is often used both as a tool and as raw material, with electronics ranging from solo pieces to larger ensembles.

 

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